Designer Spotlight: Amesh Wijesekera — Gender-inclusive eco-friendly collection
Upcoming Sri Lankan designer, Amesh Wijesekera has gained popularity with the debut eco collection. At the epicenter of garment manufacturing, Wijesekera is anything but typical.
His entire collection uses almost exclusively deadstock remnants. In Sri Lanka where there are copious amounts of textile waste, his business model is an economic choice. Using the existing industry to his advantage, he works with female textile specialists to create his garments on a small scale. Combating waste and utilizing sustainable morals are an important part of his business.
His collection utilizes bright colors and baggy silhouettes that draw inspiration from his native dress. Sri Lankan traditional clothing is often accessorized with intricate beading to contrast the simplicity of their design. Most often using solid, light-colored fabrics to optimize breathability and mobility. Wijesekera draws parallels between native dress in his new collection. He creates genderless designs that incorporate both western and east Asian styles.
Many of the prominent themes in his work are considered controversial. He speaks about the unspoken, tearing down taboo notions. This is especially true in his more conservative environment. His complete portfolio is comprised of what he calls “genderless” garments. The garments borrow silhouettes from both women and menswear that intentionally create an undefined image. He says it’s all up to the person to define their gender, not their clothes. A recent collection titled “Flower Boys’’ features “male models dressed in fuchsia embroidered shirts and low-cut knitted vests”.
Although he has made no comment, it’s safe to assume that the name of the collection makes a reference to Tyler, The Creators 2017 album Flower Boy. The album caught the media's attention when it was the artist who switched from his typical rap lyrics about violence against women and aggressively homophobic comments to the coming out as Queer. A black man in the hip-hop industry coming out broke down barriers for queer musicians and artists.
Gender Inclusivity in Fashion
The term unisex was first used in 1963 in The New York Times to describe Parisian fashion that has started to bleed between women and men.
Even before unisex was established by The NY Times, women borrowed many menswear staples, like structured trousers and suit sets. And we can’t forget that at some point in history, men wore high heels (and we wish it stayed that way). Even though for hundreds of years women and men's fashion took inspiration from each other they typically had differing fits. Let's take for example a denim jacket, a women's denim jacket often has a tailored fit, while a men’s jacket had a more square-like feel which was usually adorned with more pockets.
Androgenous Fashion in the 60's
The late 60’s were a big time for androgynous fashion. The movement was led by icon David Bowie who supported platforms, high-waisted pants, and a face of makeup on and off the stage. In the early 70’s men stopped incorporating femininity into their wardrobe when it became associated with homosexuality. Bowie didn’t let his fashion define his gender or sexuality.
Edgy Unisex Fashion of the 80’s and 90’s
Again in the late 80’s punk fashion advocated for androgynous fashion. Punk styles had a heavy emphasis on the juxtaposition between hyper-feminine silhouettes and heavy masculine styles. The punk fashion niche didn’t take off in mainstream fashion until a similar stream arose in the 90’s called grunge.
Now in 2021, male celebrities are seen on magazine covers or on the red carpet in typical womenswear. But off the red carpet, this type of dress is associated with homosexuality that puts people at risk.
After his graduation from the Academy of Design in Sri Lanka he was discovered during his participation in the annual Mercedes Benz Fashion show in Colombo. He has since been given numerous international awards and has exhibited globally, even in London at the Graduate Fashion Show. Currently, he is focused on developing his label that continues to draw inspiration from his background and gender identity to drive much-needed change in the industry.
We at ÀLA.HAUSSE are committed to providing fashion lovers with a multifunctional ecosystem in which they can practice more sustainable consumption habits. Via ÀLA.HAUSSE‘s Multi-functional and Multi-purposeful Fashion Ecosystem- BUY/SELL/RENT/LEND/ (swap BETA 2021) mobile application, INDIVIDUALS & brands ( BETA 2021) are encouraged to REBUY, RESELL, REUSE and UP-CYCLE their personal “Clossets” aka Clothing Assets, along with overstock inventory and samples. Through this consumerism habit shift we indirectly slow down the urgency on fashion’s carbon footprint, aiding sustainability as a whole.
#ALAHAUSSE #WEARYOURPURPOSE #HAUSSEPEOPLE
Originally published at https://alahausse.ca on July 30, 2021.